Age of Arousal to be shown at Woodend Barn

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Anyone who has read A Pass in the Grampians (1933) by local novelist Nan Shepherd, you may have wondered why Mary Kilgour, despite being university-educated, is so quietly contented with running a typing house in London.

Rewind some 50 years to The Odd Women (1893) by Victorian novelist George Gissing, to find ex-suffragette Mary Barfoot, along with her lover and protégé Rhoda enlisting female students to master the new invention that will gain them freedom – the typewriter.

Stellar Quinesʼ new production, Age of Arousal, which visits Woodend Barn in Banchory at 7.30pm on Thursday, March 31, brings these characters to life in this genre-busting, rule-bending and original play by one of Canadaʼs top playwrights, Linda Griffiths, which is loosely based on Gissingʼs novel. Together, Mary Barfoot and Rhoda set in motion an odyssey of alcoholism, cross dressing and sexual revolution.

The year is 1885, a time of great passion but also of great confusion. Virtue is barely holding down its petticoats. Women are bursting their corsets with unbridled desire.

Age of Arousal has been hailed as “gloriously bold and inventive” by The Scotsman and “funny, dynamic and politically fascinating” by The Guardian. Stellar Quines’ director Muriel Romanes first saw the play in Toronto in 2007 and recognised in it the very spirit of the Quinesʼ work.

The evening promises to be a lubriciously entertaining way of conveying one of the greatest periods of change for women in the history of the western world and, as such, is suitable for an over 16 years of age audience.

If this is what continued to happen within typing houses, it is no wonder that Nan Shepherdʼs character Mary Kilgour chose to keep very quiet about her work all those years later.

This is a co-production between Stellar Quines and the Royal Lyceum Theatre, Edinburgh, with the assistance of North East Arts Touring, Aberdeenshire Council and Creative Scotland. Tickets from Woodend Barn on (01330) 825431 or online at

Actress Hannah Donaldson is pictured. Marc Manie